|
BEERT, Osias
Still-Life with Cherries and Strawberries in China Bowls
|
ID: 05002
|
|
|

|
BEERT, Osias
Flemish Baroque Era Painter, ca.1580-1624
Flemish painter. In 1596 he went to study with Andries van Baseroo and in 1602 became a master in the Antwerp Guild of St Luke; these two dates suggest his probable date of birth. Beert married Marguerite Ykens on 8 January 1606. Contemporary documents describe him as a cork merchant. The esteem enjoyed by Beert is indicated by the large number of pupils he had, including, in 1610, Frans van der Borch; in 1615, Frans Ykens; in 1616, Paulus Pontius; and, in 1618, Jan Willemssen. Beert's son, Osias Beert the younger (1622-78), was also a painter and became a master in 1645. Related Paintings of BEERT, Osias :. | Still-life ghuy | Still-Life with Cherries and Strawberries in China Bowls (detail) ghmh | Still-life 315648 | Still-Life with Cherries and Strawberries in China Bowls | Still-Life with Oysters and Pastries | Related Artists: Cesare Mussinipainted Atala in 1835 PLEYDENWURFF, HansGerman Northern Renaissance Painter, 1420-1472 BasawanIndian Miniaturist, active ca.1556-1600,Indian miniature painter. One of the great talents to flourish under the emperor Akbar (reg 1556-1605), he was a prolific painter who contributed to virtually all the great illustrated manuscripts executed in the imperial workshops over a span of some 40 years. While most Mughal artists were concerned with the importance of line, colour and surface pattern, Basawan, with a greater understanding of the techniques of imported European works, developed a palette closer to that of European oil painting and dissolved outlines to create greater three-dimensionality. In his work, surface patterns are subservient to a dramatic spatial penetration of the picture plane. These traits were quite new within both Indian and Islamic traditions, and Basawan led the vanguard in adopting them. His work is remarkable also for the complexity of his compositions, his skill at giving roundness and density to his figures and his sensitive portrait-like faces.
|
|
|
|
|
|
|
|